Russell Maliphant Company
Russell Maliphant
Type of work
Contemporary dance
Company Policy
Maliphant's work is characterised by a unique approach to flow and energy and
a concern with the relationship between movement, light and music. Drawing on
his experience and practice of the disciplines of Capoeira, Tai Chi, Yoga and
contact improvisation, his language is one of form and dynamics; elegant, articulate
and resonant.
The company is committed to
- assimilating the diverse ability and understanding embodied by experienced
individuals into work resulting in productions of technical excellence and high
production values.
- providing a laboratory for movement and collaboration, which in the process
of creating and performing work, extends the parameters of the participant's artistic
development.
- offering a range of high quality work to promoters and audiences.
Review extracts
"Clarity of vision and incisive brilliance... charged and enigmatic work" The Independent
"Superbly executed optical illusions which allow us to feel that the dancers
have transcended gravity and are momentarily occupying a world with no constraints"
Dance Theatre Journal
"A choreographer of persistent accomplishment and a performer of enduring fascination....mesmerising"
The Times
"Magical architecture and poetry for the stage" The Guardian
'Light, shadow and distance were used enchantingly to create new spaces and make
the 'stage' all but disappear. Can you imagine a live fairytale hologram floating
in a black void? Very special." Live Art Magazine
One Part 2 (15 mins) 2002 - solo. A development of the piece One which was originally commissioned by Dance Umbrella in 1998 performed by Russell himself and set to music by J S Bach.
Russell's work is realised through the ongoing collaboration between with lighting designer Michael Hulls which explores the relationship between movement and light.
In 2002, the Russell Maliphant Company received the Time Out Live Award for 'Outstanding Collaboration' for the work Sheer, and also the 'Peoples Choice Award' from the Festival De La Nouvelle Danse, in Montreal.
Coming Soon
Transmission
The company's new work created for an ensemble of 5 performers takes Maliphant's exploration of fluidity, dynamics and tensions into new territory marrying this with Hull's brilliant lighting. The soundscape by Mukul brings an evocative and sculptural audio element to serve as a subtle foil to the choreography. (35 mins)
Permanent staff
Artistic Director: Russell Maliphant
Lighting Director: Michael Hulls
Contact details
Phillip Burton - Producer & Manager
Russell Maliphant Company
Sadler's Wells
Rosebery Avenues
London EC1R 4TN
T: +44 (0) 20 7278 1295
M: +44 (0) 7594 359 094
E: phillipburton@me.com
W: www.rmcompany.co.uk
Picture: Liquid Reflex
Photograph: Hugo Glendinning
Education
Russell Maliphant Company's unique approach to flow and energy and the diverse
techniques that inspire its work put it in a strong position to deliver a broad
range of insightful and challenging workshops. In addition to masterclasses offered
by Russell Maliphant himself, company members are well qualified to teach and
they offer individual one-off workshops as well as longer residencies (a two-hour
minimum to two weeks).
Workshops offered can incorporate an extensive range of disciplines from classical ballet, contact improvisation and yoga to capoeira, tai chi and the martial arts. Teaching may focus on one form, a combination of styles, or emphasise a particular theme, such as release technique or body contact. Classes are of course tailored to the particular needs of a group but, as an example, a typical day workshop might take the following format:
-
A 2-hour long warm-up based on a series of exercises that mixes several body work and movement techniques such as yoga, deep stretching, capoeira, martial arts, contemporary dance and improvisation
-
1.5 hours contact improvisation technique leading into a short jam
-
2 hours learning extracts of Russell Maliphant choreographies or composition of a new work based on the techniques explored.
-
30 minutes of stretching
-
Post workshop discussion


